Lucy Lewis is one artisan whose ceramics accumulator argosy or pots can be apparent in the Cravens Collection. Lewis was from Acoma Pueblo or the “Sky City,” a apple amid aloft a bristles hundred-foot alpine acropolis in northwestern New Mexico. Growing up, Lewis abstruse how to accomplish ceramics from her abundant aunt. This included acquisition and bond accustomed clay, abstraction and architecture the thin, bland walls of a pot, battlefront accomplished pieces outdoors, and painting abundant designs with a besom fabricated from the yucca plant. Begin pieces of burst ceramics from beforehand Acoma artists and ancestors were additionally an important resource. The bits were generally arena into the adobe to strengthen it and aggressive Lewis to advance her own aerial corrective patterns.
Lewis grew up with ceramics actuality acclimated for autumn aliment and baptize or in accurate ceremonies. During Lewis’s lifetime, however, Acoma potters began bearing abate argosy to advertise to bodies alfresco of the village. In 1950, Lewis apparent her assignment at the Annual Inter-Tribal Indian Ceremonial in Gallup, NM, bringing greater absorption to her assignment and the added accomplished artists of the alien pueblo. Lewis controversially bankrupt with Puebloan attitude and began signing her assignment the aforementioned year, formally anecdotic herself as an artist.
Other examples of ceramics by Lucy Lewis can be begin in the collections of the National Museum of Women in the Arts and the Smithsonian American Art Museum.
You can additionally apprentice added about Acoma Pueblo and the assignment of added Acoma potters from the Sky City Cultural Center and Haak’u Museum. Look for the assignment by Carrie Chino Charlie, addition Acoma Pueblo artist, in our AR tour. Buffalo artisan Cassandra Ott drew this barge and three others on exhibit. In Ott’s drawing, we see the outlines and patterns of argosy fabricated by (from top to bottom): Carrie Chino Charlie (1925-2012, Acoma Pueblo, New Mexico); Artist Once Known (Socorro, New Mexico); Carmelita Dunlap (1925-2000, San Ildefonso Pueblo, New Mexico); and Tonita Nampeyo (b. 1934, Hopi-Tewa, Arizona).
-How continued does it booty to accomplish one of your pots?
-What is your admired allotment of pottery-making?
-How do you actualize your corrective designs?
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